Tell us a little about you. Where are you from? What are you passionate about? What do you do when you are not photographing?

I am a fine art photographer currently based in San Francisco. I am originally from Santa Clarita, CA but moved to the city to study fine art photography at the Academy of Art University.

I am passionate about experiencing life and sharing it through art. I’m aware of every emotion I am feeling so I can capture it and share it, hoping to connect to others through my art.

When I am not photographing myself or nude friends, I am outside walking around or indoors watching films. I believe watching films help photographers understand putting emotions into the visual. For a simple shot in a film like “In the Mood for Love” that has an amazing composition can say so much without the words to guide you towards a feeling.

How did you get started in photography?

I thankfully fell into photography, first as a hobby but soon became a passion and a way of self-expression for me. I received an athletic scholarship for cross country and track from the Academy of Art University, and I chose to study photography because it sounded the most interesting to me. Years later, I am very happy I made that choice because this medium has shaped who I am today. I use photography as a way to understand myself. I have trouble verbally communicating how I feel and so I turn to photography to just document what I feel. It isn’t until after, I can start to see and understand what is really going on within.

Playing with light, color, and movement your self portraits are emotional and curious. What is your inspiration?

My biggest inspiration for self-portraits is Francesca Woodman and Nan Golding. Two very different styles but both very impactful. Francesca Woodman created this dark and intimate world within her images. I feel as if she really documented her emotions, often using motion blur. Her images carry this sadness you can feel within yourself as if we are getting an intimate view of her mind. For Nan Golding, her style was more documentary but just as intimate and emotional. Showing you more details that were easier to understand on the surface but challenges the viewers to take a real look into someone’s life.

Why self portraits? Why use yourself instead of a model?

I tend to photograph myself when I feel like I’m losing myself; when I’m forgetting who I am. It’s odd, but when I photograph models it is when I am trying to express how I feel but when I photograph myself it is in search for myself. I believe that we are all highly influenced by the people the social media we surround ourselves with. I have to remind myself of who I am and I go back to my “roots”, setting up my camera and self-timer creates a space that is totally free and allows me to be totally vulnerable.

Do you have any advice or tips for fellow photographers who want to take self portraits?

• Photograph yourself alone and make space for yourself. Move the furniture around, follow the natural light that is leaking into the room and set up your camera.
• Play with the space around you. Due to my small SF apartments, a lot of my self-portraits were in a corner next to a window. That confined corner let me be creative with the two walls around me. Challenging me to try new things for different shots.
• Use your wardrobe or not at all! I like to photograph myself with loose and flowy fabrics. This is another element for you to interact with and adds to the simple details of your image. Or use your body in various poses from different angles, don’t be afraid to get close to the camera.
• I usually put on some of my favorite records when shooting anything! When I am taking self-portraits I usually listen to slower music that helps me slow down and work through the process.

Left to Right – Self Portraits by: Ansel Adams, Cindy Sherman, Frida Kahlo

Photographers often use the excuse that we are awkward in front of a camera and that is why we are behind it. For some of us, this is definitely true… just kidding! Self-portraiture does not have to be glamorous – it simply has to be you. And if you are “awkward” be someone else in your self-portrait. Be honest, we’re all a bit self-conscious about having our photo taken, but with self-portraits you are in complete control.

Here are a few tips and tricks to get you started:

Vivian-Maier – Self Portrait in New York City 1950’s

Location & Composition:

What does your location say about you? Like taking a photo of someone else, composition and location are just as important. The best part is you already have so many spaces that are particular to just you – your bedroom, your bathroom, your favorite park, any place you find personal already exists. Maybe you are a private person and do not want to share those spaces, conceal it with anonymity and use that as part of your expression.

The composition of your image will help make it stronger than just a “selfie.” You do not need to be directly in front of the camera. Experiment with different angles and positions. Are you completely in the frame? Or only a piece of you? Maybe you are not there at all. Play around with a variety of looks, but remember you will have to reset your own camera and focus every time you change. Don’t let that hinder you, just be aware.

 Self Portrait by: Rosie Hardy

Technicalities:

You have your location, composition, and modeling skills all ready, but how do you actually take the photo? There is absolutely no right or wrong way to do it and in some cases, you may have to get really creative. (I had a classmate in art school who taped his DLSR to the ceiling with duct tape – I do not recommend that) I suggest starting with these three options: tripod, human tripod aka friend/sibling/life partner volunteer, or handheld.

Tripod:

When you take self-portraits, prioritize safety by not placing your camera on risky platforms. Use a tripod to keep your camera in a consistent and safe position. Once you have your camera facing where you want it to be, it can be tricky to gain focus on you while you are behind the lens playing with settings. Put something in your composition where you will be posing. Focusing on this object will help the camera focus on you when you trade spots.  The height of the object is not as important as distance, but try to match it to yourself as best as you can for accuracy.

You can also try focusing with a remote or autofocus while you are in front of the frame. This may take a few tries, but once it is established it can save you time and energy of getting up, focusing, and going back to position.

If you do not have a remote, try using the timer and burst mode on your camera. This will at least give you time between your pose and pressing the shutter. The burst mode will give you multiple options in one sitting (so you can guarantee your eyes will be open!)

Handheld:

If you decide you want to handhold your camera to take your photo, remember that your distance between you and the lens relies solely upon the length of your arm. Naturally, you may also shake which could result in blurry images. On the other hand, this may be the exact kind of framing and effect you are seeking.

Using Assistance:

You are not cheating if someone assists in taking the photo for you, but use them only as a human tripod and remote. You still need to have full control of the image and how it is taken. Set everything up and direct your human tripod to stand and focus where you want.

Take Your Time:

You may not be a professional model, so getting into a pose and finding what feels/looks good to you may take some time. Self-portraits are filled with infinite possibilities but has some limitations. It is exhausting. When losing energy, you’ll feel very impatient, irritated, and uncreative. Take breaks, have snacks, listen to your favorite music, and treat yourself like you would your best model. Are you getting discouraged? Call it a day and try again later.

Self Portrait by: Raffaello Faniuk

Capture You:

A self-portrait should be a very personal expression, not a mirror of something you’ve seen somewhere else. Think about who you want to be and how you want to say that. What does using yourself as the model say differently than what you would say with someone else? Sometimes the self-portrait may not be about you, but rather using yourself to depict another person. But why use yourself, instead of the other person? What is the narrative?

Self Portrait by: David Uzochukwu

Lastly, Do Not Be Afraid of Judgement.

It can be intimidating to use yourself as a subject. Self-portraiture is not vain and narcissistic. It is more widely accepted today with the social media promotion of selfies and sharing your life. You have every right to experiment and evolve as an artist. Self-portraiture can teach you patience, independence, and feeling comfortable in your own skin. It is the ultimate opportunity to get to know yourself better. Remember, if you ever receive unnecessary negative criticism, it is simply a reflection of that person’s closed-mindedness.

Self Portrait by: Omar Victor Diop

Here are some examples of self-portraits to get you inspired:

Francesca Woodman

Liu Bolin

Diane Arbus

Andy Warhol

Genevieve Gaignard

Lee Friedlander

Paul Mpagi Sepuya

Robert Mapplethorpe

Fumiko Imano

MASTER | Cameron Bushong

Cameron illustrates emotional narratives throughout his portraits – often using himself as a model.

SHOOTER | Chirag Nikam

Chiarg plays with color and minimalistic perspective within her imagery.

PRO | Julia Shepeleva

Julia’s portraiture emulates the poetic nature of a fairy tale through her clean, elegant, compositions and use of light.

     Follow Cameron, Julia, and Chiarg on StudioNow for more inspiring shots!